- BFI identifier9537
- TitleBlade Runner (Original)
Do Androids Dream of Electric Sheep (Working)
The Android (Working)
When Androids Dream (Alternative)
Dangerous Days (Alternative)
Blade Runner - The Director's Cut (Alternative)
Blade Runner - The Final Cut (Alternative)
Bladerunner (Help search)
Credits
Directed by: Ridley Scott
©/Production Company: Blade Runner Partnership, The Ladd Company
In association with: Run Run Shaw
Presents: Warner Bros.
Executive Producer: Brian Kelly, Hampton Fancher
Producer: Michael Deeley
Associate Producer: Ivor Powell
Production Executive: Katherine Haber
Executive in Charge of Production: C.O. Erickson
Unit Production Manager: John W. Rogers
Production Co-ordinator: Vickie Alper
Production Controller: Steve Warner
Auditor: Dick Dubuque
Assistant Auditor: Kelly Marshall
Payroll: Paulette Fine
Location Manager: Michael Neale
Assistant Location Manager: Greg Hamlin
Producer's Assistant: Bryan Haynes
Assistant Director (1st): Newton Arnold, Peter Cornberg
Assistant Director (2nd): Don Hauer, Morris Chapnick, Richard Schroer
DGA Trainee: Victoria Rhodes
Script Supervisor: Anna Maria Quintana
Casting: Mike Fenton, Jane Feinberg
Casting (Additional): Marci Liroff
Screenplay: Hampton Fancher, David Peoples
Based on the novel "Do Androids Dream of Electric Sheep" by: Philip K. Dick
Director of Photography: Jordan Cronenweth
Additional Photography: Steven Poster, Brian Tufano
Camera Operator: Robert Thomas, Albert Bettcher, Dick Colean
Assistant Cameraman (1st): Mike Genne, Steve Smith
Assistant Cameraman (2nd): George D. Greer
Lighting Gaffer: Dick Hart
[Gaffer] Best Boy: Joseph W. Cardoza Jr
Key Grip: Carey Griffith
Best Boy Grip: Robert E. Winger
Dolly Grip: Donald A. Schmitz
Crab Dolly Grip: Douglas G. Willas
Stills Photography: Stephen Vaughan
Special Photographic Effects Supervisor: Douglas Trumbull, Richard Yuricich, David Dryer
Special Photographic Effects: Entertainment Effects Group
EEG (Director of Photography): Dave Stewart
EEG (Optical Photography Supervisor): Robert Hall
EEG (Cameraman): Don Baker, Rupert Benson, Glen Campbell, Charles Cowles, David Hardberger, Ronald Longo, Timothy Mchugh, John Seay
EEG (Matte Artist): Matthew Yuricich
EEG (Additional Matte Artist): Rocco Gioffre
EEG (Assistant Matte Artist): Michele Moen
EEG (Matte Photography): Robert Bailey, Tama Takahashi, Don Jarel
EEG (Special Camera Technician): Alan Harding
EEG (Optical Line-up): Philip Barberio, Richard Ripple
EEG (Animation/Graphics): John Wash
EEG (Effects Illustrator): Tom Cranham
EEG (Special Projects Consultant): Wayne Smith
EEG (Miniature Technician): Bob Surlock
EEG (Assistant Effects Editor): Michael Backauskas
EEG (Chief Model Maker): Mark Stetson
EEG (Model Maker): Jerry Allen, Sean Casey, Paul Curley, Leslie Ekker, Thomas Field, Vance Frederick, William George, Kristopher Gregg, Robert Johnston, Michael McMillian, Thomas Phak, Christopher Ross, Robert Wilcox
EEG (Key Grip): Pat Van Auken
EEG (Gaffer): Gary Randall
EEG (Film Co-ordinator): Jack Hinkle
EEG (Cinetechnician): George Polkinghorne
EEG (Still Lab): Virgil Mirano
EEG (Electronic/Mechanical Design): Evans Wetmore
EEG (Electronic Engineering): Gregory L. McMurry
EEG (Computer Engineering): Richard Hollander
EEG (Special Engineering Consultant): Bud Elam, David Grafton
EEG (Production Office Manager): Joyce Goldberg
EEG (Visual Effects Auditor): Diana Gold
EEG (Assistant to David Dryer): Leora Glass
Visual Displays: Dream Quest Images
Esper Sequence: Filmfex Animation Services, Lodge/Cheesman
Special Floor Effects Supervisor: Terry Frazee
Special Effects Technician: Steve Galich, Logan Frazee, William G. Curtis
Supervising Editor: Terry Rawlings
Editor: Marsha Nakashima
[Editor - 1992 'Director's Cut']: Les Healey
Assistant Editor: William Zabala
Assistant Editing (English Editing 1st): Les Healey
Production Designer: Lawrence G. Paull
Visual Futurist: Syd Mead
Art Director: David Snyder
Assistant Art Director: Stephen Dane
Set Designer: Tom Duffield, Bill Skinner, Greg Pickrell, Charles Breen, Louis Mann, David Klasson
Set Decorator: Linda Descenna, Tom Roysden, Leslie Frankheimer
Leadman: Michael Taylor
Production Illustrator: Sherman Labby, Mentor Huebner, Tom Southwell
Property Master: Terry Lewis
Assistant Property: David Quick, Arthur Shippee Jr, John A. Scott Iii
Action Prop (Supervisor): Mike Fink
Action Prop (Consultant): Linda Fleisher
Construction Co-ordinator: James F. Orendorf
Assistant Construction Co-ordinator: Alfred J. Litteken
Construction Clerk: James Hale
Painting Co-ordinator: James T. Woods
Stand-by Painter: Buzz Lombardo
Costume Designer: Charles Knode, Michael Kaplan
Men's Costumer: James Lapidus, Bobby E. Horn
Ladies' Costumer: Winnie Brown, Linda A. Matthews
Make-up Artist: Marvin G. Westmore
Hairstylist: Shirley L. Padgett
Titles: Intralink Film Graphic Design
Music Composed, Arranged, Performed and Produced by: Vangelis
Sound Mixer: Bud Alper
Cableman: Beau Baker
Book Man: Eugene Byron Ashbrook
Chief Dubbing Mixer (Pinewood): Graham V. Hartstone
Chief Dubbing Mixer (Twickenham): Gerry Humphries
Sound Editor (English Editing): Peter Pennell
Dialogue Editor (English Editing): Michael Hopkins
Assistant Sound Editor (English Editing): Peter Gallagher
Assistant Dial Editor (English Editing): Peter Baldock
Stunt Co-ordinator: Gary Combs
Stunts: Ray Bickel, Janet Brady, Diane Carter, Ann Chatterton, Gilbert Combs, Anthony Cox, Rita Egleston, Gerry Epper, Jeannie Epper, James Halty, Jeffrey Imada, Gary Mclarty, Karen Mclarty, Beth Nufer, Roy Ogata, Bobby Porter, Lee Pulford, Ruth Redfern, George Sawaya, Charles Tamburro, Jack Tyree, Mike Washlake, Michael Zurich
Transportation Captain: Howard Davidson
Transportation Co-captain: James Sharp
Craft Service: Michael Knutsen
Publicist: Saul Kahan